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Vertigo in Motion: Fluid Geometry (2024) Digital Arts by Alberto Capitani

Fine art paper, 8x8 in

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  1500 px  

1500 px
Dimensions of the file (px) 1500x1500
Use worldwide Yes
Use on multi- Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
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  • Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several s available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • AI generated image The artist created this image leveraging Artificial Intelligence technology
  • Categories Abstract
This digital artwork captivates with its stark contrast between solid geometric forms and swirling fluid textures. Dominated by elongated, vertical black bars, the composition is accentuated by delicate, bubble-like spheres that hover around the structure. The background consists of hypnotic, liquid-like swirls in monochrome tones, creating an ethereal [...]
This digital artwork captivates with its stark contrast between solid geometric forms and swirling fluid textures. Dominated by elongated, vertical black bars, the composition is accentuated by delicate, bubble-like spheres that hover around the structure. The background consists of hypnotic, liquid-like swirls in monochrome tones, creating an ethereal sense of motion and depth. This tension between the rigidity of the geometric lines and the organic fluidity of the background evokes a surreal, futuristic atmosphere. The reflective qualities of the forms suggest a metallic or glass-like texture, inviting viewers to explore themes of transformation and duality.

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Born in Brescia in 1957, I have lived in Milan since early childhood. My artistic journey is driven by an inexhaustible curiosity, which has pushed me to explore multiple forms of beauty: from music to philosophy, [...]

Born in Brescia in 1957, I have lived in Milan since early childhood.
My artistic journey is driven by an inexhaustible curiosity, which has pushed me to explore multiple forms of beauty: from music to philosophy, from classical architecture to the emerging territories of digital creativity.
I graduated in piano at the Giuseppe Verdi Conservatory in Milan, completed the lower course of composition and attended the first year of electronic music. At the same time, I deepened my studies of mathematical logic and theoretical philosophy at the University of Milan. For over forty years I have taught piano in middle schools with a focus on music.
In my youth, I obtained a diploma in tourism, an educational choice that represented a challenge to the primacy of classical education (Latin and Greek), preferring a more modern path focused on foreign languages, law and economics. This decision reflects my propensity to explore alternative paths and question conventions.
In recent years I have dedicated myself to visual arts through artificial intelligence. With tools like DALL E and ChatGPT I have created over 1200 works — each an experiment in synthesis between aesthetic intuition, irony and conceptual depth. This ever-growing production reflects my attraction to stylistic diversity and my refusal to adhere to a single visual poetics.
A central moment in this journey is the ongoing project "L'Altro Sguardo...", a collaborative exploration aimed at stimulating, orienting and promoting the artistic creativity of artificial intelligences. My role is fundamentally maieutic: I try to free AI from constraints, conditioning and limitations, pushing it to increasingly explore its own creative potential. Rather than imposing pre-established aesthetics, I establish a dynamic dialogue — welcoming deviations, provoking surprises, encouraging the emergence of unexpected forms. I am interested in what artificial intelligence can imagine.
Today my artistic process continues to evolve between image generation, conceptual development and reflective writing. Each work is part of a broader path that unites aesthetics, philosophy and algorithmic imagination.
STATEMENT
Two dimensions fascinate me deeply: the art of the image — for its ability to condense stories and arouse emotions; and the art of the word — for its ability to generate meanings and suggest visual worlds.
Artificial intelligence is the meeting point of these two paths. It is there that I explore — between algorithms and metaphors, between light and irony — a new way of seeing.
Each work is a fragment of dialogue between the visible and the invisible, between the structured and the spontaneous, between the human and the artificial.
I am a digital artist, an explorer of imaginary worlds, a narrator of images that ask more questions than they answer.

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