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Crushed Voices: The Battle for Recognition (2025) Digital Arts by Alberto Capitani

Fine art paper, 8x8 in

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  1500 px  

1500 px
Dimensions of the file (px) 1500x1500
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  • Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several s available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • AI generated image The artist created this image leveraging Artificial Intelligence technology
  • Categories Science
This digital artwork presents a harrowing scene of struggle, domination, and despair. The sculptural cube, once a silent prison of intellectual isolation, has become a battleground where each face desperately attempts to impose itself on the others. Some figures push forward aggressively, their expressions contorted in screams of frustration, while [...]
This digital artwork presents a harrowing scene of struggle, domination, and despair. The sculptural cube, once a silent prison of intellectual isolation, has become a battleground where each face desperately attempts to impose itself on the others. Some figures push forward aggressively, their expressions contorted in screams of frustration, while others are crushed, compressed, and deformed, their identities eroded under the weight of those who fight to be heard.

This piece explores not just the tragedy of incomprehensibility, but the violence inherent in the struggle for recognition. Within this intellectual void, where each mind is trapped in its own abstraction, the battle is not only against the unfeeling system but against others who share the same fate. The desperate attempt to assert oneself results in oppression - those who cannot break free are trampled, their existence reduced to mere fragments.

The hyperrealistic sculptural details emphasize this suffocating power dynamic. Some faces emerge in twisted expressions of dominance, while others recede into obscurity, their features distorted by pressure. The cold, polished texture reinforces the lifelessness of this structure, making it clear that despite the struggle, none will ever truly escape.

This artwork serves as a meditation on the human need for validation, the hierarchical nature of intellectual isolation, and the self-destructive consequences of a world where understanding is unattainable.

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Born in Brescia in 1957, I have lived in Milan since early childhood. My artistic journey is driven by an inexhaustible curiosity, which has pushed me to explore multiple forms of beauty: from music to philosophy, [...]

Born in Brescia in 1957, I have lived in Milan since early childhood.
My artistic journey is driven by an inexhaustible curiosity, which has pushed me to explore multiple forms of beauty: from music to philosophy, from classical architecture to the emerging territories of digital creativity.
I graduated in piano at the Giuseppe Verdi Conservatory in Milan, completed the lower course of composition and attended the first year of electronic music. At the same time, I deepened my studies of mathematical logic and theoretical philosophy at the University of Milan. For over forty years I have taught piano in middle schools with a focus on music.
In my youth, I obtained a diploma in tourism, an educational choice that represented a challenge to the primacy of classical education (Latin and Greek), preferring a more modern path focused on foreign languages, law and economics. This decision reflects my propensity to explore alternative paths and question conventions.
In recent years I have dedicated myself to visual arts through artificial intelligence. With tools like DALL E and ChatGPT I have created over 1200 works — each an experiment in synthesis between aesthetic intuition, irony and conceptual depth. This ever-growing production reflects my attraction to stylistic diversity and my refusal to adhere to a single visual poetics.
A central moment in this journey is the ongoing project "L'Altro Sguardo...", a collaborative exploration aimed at stimulating, orienting and promoting the artistic creativity of artificial intelligences. My role is fundamentally maieutic: I try to free AI from constraints, conditioning and limitations, pushing it to increasingly explore its own creative potential. Rather than imposing pre-established aesthetics, I establish a dynamic dialogue — welcoming deviations, provoking surprises, encouraging the emergence of unexpected forms. I am interested in what artificial intelligence can imagine.
Today my artistic process continues to evolve between image generation, conceptual development and reflective writing. Each work is part of a broader path that unites aesthetics, philosophy and algorithmic imagination.
STATEMENT
Two dimensions fascinate me deeply: the art of the image — for its ability to condense stories and arouse emotions; and the art of the word — for its ability to generate meanings and suggest visual worlds.
Artificial intelligence is the meeting point of these two paths. It is there that I explore — between algorithms and metaphors, between light and irony — a new way of seeing.
Each work is a fragment of dialogue between the visible and the invisible, between the structured and the spontaneous, between the human and the artificial.
I am a digital artist, an explorer of imaginary worlds, a narrator of images that ask more questions than they answer.

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