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Ne un o in avanti ne uno indietro (2022) Sculpture by Armando D'Andrea

Sculpture - Clay, 17.3x6.5 in
$1,545.47
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  1125 px  

1500 px
Dimensions of the file (px) 1125x1500
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 8 collections
  • Wood on Wood
  • Dimensions Height 17.3in, Width 6.5in / 2.00 kg
  • Artwork's condition The artwork is in very good condition
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Expressionism
Opera in terra cotta, legno e tessuto, con base in metallo. Il titolo che ho voluto dare a questa scultura rappresenta una condizione umana, dove gli eventi della vita ci sovrastano e ci bloccano.abbiamo a volte perso la strada e non vediamo la luce infondo al tunnel. Una parola spesso ci può salvare: Amore About this artwork: Classification, Techniques [...]
Opera in terra cotta, legno e tessuto, con base in metallo. Il titolo che ho voluto dare a questa scultura rappresenta una condizione umana, dove gli eventi della vita ci sovrastano e ci bloccano....abbiamo a volte perso la strada e non vediamo la luce infondo al tunnel.
Una parola spesso ci può salvare: Amore

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Armando D'Andrea is a contemporary award-winning Italian artist. His artistic background leads him to favor a design approach; where form, function, chromaticism, the study of materials and the playful aspect, [...]

Armando D'Andrea is a contemporary award-winning Italian artist. His artistic background leads him to favor a design approach; where form, function, chromaticism, the study of materials and the playful aspect, become an integral part of the creative process.

Design and art are worlds that are intertwined, in an invisible boundary, and this vision leads him to use sculpture as a means of research where humanity is the basis of his art. Social, moral and philosophical aspects are also a source of reflection and inspiration. His works combine the essential elements of earth, water and fire, as a modern alchemist strives to create new treasures.

The Artist was highlighted in an article in ArtMajeur Magazine:

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