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Moissonnés par un climat dévorant #2 (2022) Painting by Assoukrou Aké

Mixed Media, 20.1x14.2 in
$1,846.31
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  • Pastel
  • Dimensions Height 20.1in, Width 14.2in
  • Categories History
About this artwork: Classification, Techniques & Styles. Watercolor. Watercolor is a painting in which gum arabic binds transparent pigments revealing the of the painting. The gouache, of identical composition, is opaque. A watercolor is a water-based painting on paper. We rarely speak of a painting for a work painted in watercolor. Watercolor [...]

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Mythology

Artist represented by Cecile Fakhoury
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Né en 1995 à Bonoua, Côte d’Ivoire, Assoukrou Aké vit et travaille aujourd’hui entre plusieurs lieux de résidences artistiques et à Abidjan, Côte d’Ivoire. Assoukrou Aké est un artiste pluridisciplinaire, qui [...]
Né en 1995 à Bonoua, Côte d’Ivoire, Assoukrou Aké vit et travaille aujourd’hui entre plusieurs lieux de résidences artistiques et à Abidjan, Côte d’Ivoire. Assoukrou Aké est un artiste pluridisciplinaire, qui explore librement différentes formes plastiques allant de l’installation à la sculpture, en ant par la gravure et les œuvres textiles, pour élaborer ce qu’il nomme ‘un récit de guérison’. En confrontant son histoire personnelle à ‘la grande histoire’, Assoukrou s’intéresse à ce qui les lie, en tentant de porter un regard à la fois empathique et distancié sur les parts d’ombre de l’histoire collective, afin de déer les singularités de chacun pour atteindre un espace critique métissé où les fragments des vies individuelles pourraient faire sens à nouveau et créer de nouvelles solidarités. L’univers d’Assoukrou Aké est composé de références multiples, entremêlant mythologie africaine et iconographie du siècle des Lumières, allégories sacrées, littérature européenne classique, rites profanes et photographie de presse. On retrouve ainsi à plusieurs reprises la figure humaine anonyme au visage fait de spirales, qui évoquent tant un personnage fictionnel que la matérialisation symbolique d’une généalogie, à la manière des cernes des arbres. Le cheval également est très présent dans les œuvres d’Assoukrou, notamment ses gravures. Il incarne souvent une dimension tragique, instaure une atmosphère de grandeur et évoque les épopées, les grandes aventures, les conquêtes – ou leur échec.

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