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"F" abécédaire russe-2004 (2004) Drawing by Baptiste Vanweydeveldt

Graphite on Paper, 11.7x8.3 in
$197.75
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This artwork appears in 11 collections
  • Ballpoint pen on Paper
  • Dimensions Height 11.7in, Width 8.3in
  • Framing This artwork is not framed
  • Categories Outsider Art
La première main accomplie, on en dispose d'une seconde, elle sera LA seconde, celle qui parfaitement époa l'autre, similaire mais dissemblable : "il faudra gauchir ton geste" proposait un poète "assez pour ne pas vivre ta vie comme un appartement loué". Michaux, mi-froid : le poète nous propose l'outil ; il y en a deux types celui de l'ingénieur [...]
La première main accomplie, on en dispose d'une seconde, elle sera LA seconde, celle qui parfaitement époa l'autre, similaire mais dissemblable : "il faudra gauchir ton geste" proposait un poète "assez pour ne pas vivre ta vie comme un appartement loué" ... Michaux , mi-froid : le poète nous propose l'outil ; il y en a deux types celui de l'ingénieur qui a l'application précise, chirurgicale, la parfaite machine qui sauvera "machin" de sa patience, ou... Celui de anthropologue, qui ramasse un objet et le met dans sa poche "celà peut toujours servir...", celui du poète qui ouvrira les portes, diffractant la lumière, dé-mon(s)trant les flux invisibles qui caressent nos corps et qui établissent des connexions inusitées...

"F" est la clef, motif de l'esprit qui ré-ouvre la porte scellée avant le voyage et la prière...
Baptiste Vanweyeveldt.2019

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Abecedaire

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Visual artist, born in 1978 in Lille. currently lives in Caen, . I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling [...]

Visual artist, born in 1978 in Lille. currently lives in Caen, .

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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