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GUEULE CASSEE (2017) Sculpture by Claude Duvauchelle
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- Resin on Other substrate
- Dimensions Height 5.5in, Width 14.2in / 1.00 kg
- Artwork's condition The artwork is in perfect condition
- Fit for outdoor? No, This artwork can not be displayed outdoor
- Categories Men portraits
Cette sculpture s'inscrit dans la série "Vestiges du futur Antérieur".
Expressionist imaginary portrait. Made on a mesh and iron wire frame, with a composite material, earth, glue, wood, fabrics, strings etc...
This sculpture is part of the series "Remains of the future Anterior".
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Claude Duvauchelle is a contemporary French artist whose work has been centered on the human body for the past two decades. This constant fascination serves as a rich source of inspiration, enabling him to express the deep emotions, anxieties, and hopes of modern humanity. Through his art, Duvauchelle explores the alienation and struggles brought on by the violence of modern civilization, portraying humanity as regressing to a primal state, enslaved by its most destructive instincts.
Duvauchelle’s creative process is marked by a continuous evolution of techniques and themes, which allows him to avoid repetition and keep his work fresh. His early influences include the Quattrocento painters, particularly Mantegna’s "Dead Christ," where he was drawn to the dramatic interplay of light and shadow, martyrdom, and crucifixions. Géricault’s romanticism and the tragic body also left a significant imprint on his artistic journey, adding layers of sublimation to his tragic depictions.
In his recent works, Duvauchelle translates these classical inspirations into a modern context. He aims to illustrate the downfall of today’s world, capturing the alienation and evil rooted in both societal and individual violence. His allegorical representations speak to the universal human condition, reflecting the programmed decay of contemporary civilization.
- Nationality:
- Date of birth : 1953
- Artistic domains: Works by professional artists,
- Groups: Contemporary French Artists
CLAUDE DUVAUCHELLE Interview 
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