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Les fentes de timidité des cimes (2021) Painting by Elisabeth Fabre Derulliere

Seller Elisabeth Fabre Derulliere

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork is framed
This artwork appears in 1 collections
  • Pastel on Linen Canvas
  • Dimensions 39.4x39.4 in
    Dimensions of the work alone, without framing: Height 39.4in, Width 39.4in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed (Floating Frame)
  • Categories Tree
Inspirée par le livre La vie secrète des arbres de Peter Wohlleben, j'ai peint ce phénomène botanique naturel que l'on trouve dans nos forêts ; il nous donne une belle leçon de vie, à nous, pauvres humains égoïstes qui ne valorisent que la compétition. Les fentes de timidité des cîmes est un chemin de reflexion sur la place des individus, vieux et [...]
Inspirée par le livre La vie secrète des arbres de Peter Wohlleben, j'ai peint ce phénomène botanique naturel que l'on trouve dans nos forêts ; il nous donne une belle leçon de vie , à nous, pauvres humains égoïstes qui ne valorisent que la compétition. Les fentes de timidité des cîmes est un chemin de reflexion sur la place des individus, vieux et jeunes, et la recherche d'harmonie. Cette oeuvre a obtenu 3 récompses lors de ses expositions en 2023.

Inspired by the book The Secret Life of Trees by Peter Wohlleben, I painted this natural botanical phenomenon found in our forests; he gives us a great lesson in life, to us, poor selfish humans who only value competition. Les clefs de timidité des cîmes is a path of reflection on the place of individuals, old and young, and the search for harmony. Many prizes in the exhibitions in 2023

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Born in Casablanca, to a Gironde mother and a father of British origin, of Franco-Spanish culture. Youth shared between Morocco (5 years), Provence (5 years), Brazil (5 years) and Poitou-Charentes (since she was [...]

Born in Casablanca, to a Gironde mother and a father of British origin, of Franco-Spanish culture. Youth shared between Morocco (5 years), Provence (5 years), Brazil (5 years) and Poitou-Charentes (since she was 20), during which she never stopped drawing, sketching, modeling silhouettes to satisfy her iration for the line and the human body. Major mark in the Baccalaureate arts option. Studies of Literature and History of Art. Career in national education as a documentalist. This leaves her a little free time to participate in several workshops. Eclectic and insatiable artist who wants to touch everything and especially not to be locked into a style. Only common thread: her hereditary taste for all blues, fluidity and transparency.

Retired, settled near Royan, she can finally set up her studio in Saint Georges de Didonne and participate in different workshops in Royan or Saintes, to discover new techniques and media. age through the copying of masters with Thomas Cambois, copyist at the Louvre, discovery of acrylic with Rosa Skop, sketching nudes with Jeanne Thual, modeling in the studio of Hélène Collignon. But she tirelessly returns to watercolor, which she appropriates by using new s that she borrows from other techniques, and gives it an unusual brilliance in this pictorial technique, thanks to contemporary processes. Her discovery of Contemporary Art explains why very often her creations bring us back to her environment, to her social, political or philosophical concerns. The splendor of sunsets on Atlantic beaches fascinates her. It is an invitation to iration and contemplation. By opening one's eyes, man becomes better.

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