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Lease Paintings by Regis Rigaux

Lease artwork "New York Ten" by Regis Rigaux with an option to purchase 4y2k4n

Paintings by Regis Rigaux are available for lease with purchase option b4x63

Painting titled "NEW YORK TEN" by Regis Rigaux, Original Artwork, Oil
NEW YORK TEN (2020)
Painting by Regis Rigaux - 47.2x47.2 in
$8,969.08

Select your monthly installments: 92d5k

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Leasing information request "New York Ten" 4h5v3t

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What are the conditions for terminating the leasing contract before its end? 50914

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

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NEW YORK TEN (2020) 3x166n
Painting by Regis Rigaux - 47.2x47.2 in
Painting titled "NEW YORK TEN" by Regis Rigaux, Original Artwork, Oil

About the author 5b2w7

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Regis Rigaux is a contemporary French painter. He primarily painted his perceptions as a follower of Monet, the father of impressionism. Like the impressionists, he brings to life on his canvases the visual impressions [...]

Regis Rigaux is a contemporary French painter. He primarily painted his perceptions as a follower of Monet, the father of impressionism. Like the impressionists, he brings to life on his canvases the visual impressions that a landscape conveys and which he then retransmits by experimenting with matter, light, and color.

The artist is equally delighted by the light and its reflections on urban landscapes, especially the Flemish Renaissance building that he so ires and that enables him to depict the vibrancy of colors and the vibrations of the sun on the Flemish facades. He transforms this light by its play of reflection, which exposes this architecture to variations in light by changing its contours and shapes.

His first technique involves applying oil paint with a knife; the combination of oil and a resinous medium allowed the effects of the substance to best materialize. Then, in 2007, he employed the "glazing" process, which involves preparing the canvas in a series of layers (with gesso). This technique enabled the creation of a smooth surface, allowing for the manipulation of the effects of color and transparency. The glaze method and the knife technique were eventually combined to become his final technique.


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