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- The exhibition showcases the works of Jean-Michel Basquiat in the Engadine Alps, highlighting the intersection between urban art and alpine landscapes.
- Ha & Wirth St. Moritz hosts this exclusive exhibition featuring pieces from the renowned Bischofberger collection.
- The exhibition blends the energy of New York streets with the serene beauty of the Swiss Alps.
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The Cultural Intersection of Urban Art and Alpine Landscapes 304n12
The Ha & Wirth exhibition in St. Moritz, Switzerland, highlights the urban art of Jean-Michel Basquiat and the alpine landscapes of the Engadine region. This artistic marriage creates a captivating dialogue, blending Basquiat's raw and vibrant expression with the serenity of the mountains. The exhibition features works by Basquiat from the Bruno Bischofberger collection, offering a rare insight into his connection with the Swiss art scene.
Jean-Michel Basquiat had a close relationship with Switzerland, having visited it fifteen times after 1982. Represented by the Swiss art dealer Bruno Bischofberger, Basquiat managed to integrate a striking contrast between urban life and the beauty of the Alps into his work, uniquely merging these two worlds.
"Basquiat's art becomes a testament to the power of cultural exchange and the transformative potential of artistic influence when confronted with new mountain inspiration."
Known for his New York urban aesthetic, Basquiat also found a major source of inspiration in the alpine landscapes of the Engadine. This is particularly evident in works such as Big Snow (1984), where he combines his characteristic style with mountain influences.
His fascination with the Alps began in 1982 during his first exhibition in Zurich. Since then, he has visited iconic places like St. Moritz, Zurich, and Appenzell, where the alpine environment has nourished his creative process. A notable example is The Dutch Settlers (1982), an impressive work composed of nine canvases that reflects this inspiration.
The exhibition also explores Basquiat's collaborations with Andy Warhol and sco Clemente. For instance, In Bianco (1983) showcases their complementary creative approaches and how urban art interacts with alpine landscapes.
Ha & Wirth, a renowned gallery, plays a key role in this cultural fusion, and St. Moritz, with its reputation for luxury and natural beauty, provides an ideal setting for this event.
Jean Dubreil 
