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Baigneuse N°2 (2019) Sculpture by Etienne Frouin (E9 Inertion)

  • Metals
  • Dimensions Height 19.7in, Width 51.2in / 3.00 kg
  • Framing This artwork is not framed
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Nude
Serie 2019 mettant en avant la légèreté, la transparence et la sensualité du corps de la femme. New 2019 story about sensuality and lightness of nude. Nue feminin. Barre de fer ronde lisse cintree soudée. une série mettant en avant le corps de la femme, l'amour, la sensualité, la légèreté, ces œuvres présentent :. 1) un espace infini,. 2) une déformation [...]
Serie 2019 mettant en avant la légèreté, la transparence et la sensualité du corps de la femme
New 2019 story about sensuality and lightness of nude
Nue feminin
Barre de fer ronde lisse cintree soudée
une série mettant en avant le corps de la femme, l'amour, la sensualité, la légèreté, ces œuvres présentent :
1) un espace infini,
2) une déformation et une torsion des corps,
3) des tons chauds et colorés en opposition à la noirceur des traits
4) une recherche du mouvement,
5) une mise en avant de symboles et de références artistiques
6) un traitement des courbes renforcées et des formes qui caractérisent ce mouvement Bella Maniera en sculpture

Related themes

Sculpture

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Etienne Frouin is a contemporary French artist. Frouin, who has been ionate about art for more than 30 years, is constantly nourished by artistic creations. He embarked on an adventure in 2014, after a few [...]

Etienne Frouin is a contemporary French artist. Frouin, who has been ionate about art for more than 30 years, is constantly nourished by artistic creations. He embarked on an adventure in 2014, after a few years of painting and drawing lessons, in order to debut his first metal works in 2015. His sculptures' main theme is a man, which is a universal and everlasting theme, and the medium is a wood for charcoal drawing. For the volume, circular iron bar of Ø 6, 8, and 10 minutes and sheet metal were bent, cut, arc welded, ground, and painted, even oxidized, to create "hollow" works.

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