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Caelestia Anni Drawing by Exagerardo

Pencil on Paper, 19.7x19.7 in
$2,945.78
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Fine art paper, 8x8 in

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  1493 px  

1500 px
Dimensions of the file (px) 1493x1500
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork is framed
Mounted on Wood
  • Pencil on Paper
  • Dimensions 24.4x24.4 in
    Dimensions of the work alone, without framing: Height 19.7in, Width 19.7in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed (Frame + Under Glass)
  • Categories Esotericism
Dibujo a color sobre papel reciclado. Basado en el calendario prehispánico de 13 x 20, integra también elementos del zodíaco, alquimia, I-Ching y tarot, entre otros. Color drawing on recycled art paper. Based on the 13 x 20 pre-Hispanic calendar, it also integrates elements of the zodiac, alchemy, I-Ching and tarot, among others. About this artwork: [...]
Dibujo a color sobre papel reciclado. Basado en el calendario prehispánico de 13 x 20, integra también elementos del zodíaco, alquimia, I-Ching y tarot, entre otros.

Color drawing on recycled art paper. Based on the 13 x 20 pre-Hispanic calendar, it also integrates elements of the zodiac, alchemy, I-Ching and tarot, among others.

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Gerardo Hernández Ruiz (Exagerardo) was born in the city of Veracruz, Mexico, on November 18, 1970. From an early age he was interested in the visual arts, developing drawing and painting self-taught from [...]

Gerardo Hernández Ruiz (Exagerardo) was born in the city of Veracruz, Mexico, on November 18, 1970. From an early age he was interested in the visual arts, developing drawing and painting self-taught from the age of eight and a little later photography, since the age of 16. From 1988 to 1992 he studied Graphic Design in the city of Querétaro and during this stage a special concern arose for the art and philosophy of the pre-Hispanic civilizations, as well as the indigenous tribes that still survive in Mexico.

This concern led him in 1993 to spend 6 months in the Huichol community of Guadalupe Ocotán, a very remote community at that time, in the mountains west of Mexico. The art of the Huichol people especially attracted him for its intense color and the fact that they are one of the tribes that has best preserved their ancestral customs and religion, surviving not only European colonization but even the onslaught of modernization, in more recent years.

For the past 30 years he has worked as a professional graphic designer, specializing in record covers and editorial design. But despite this, he has simultaneously produced a large body of artistic work in which he interchangeably combines drawing, painting, photography, collage and digital art, invariably approached from an experimental perspective. One of his most recurring themes is to return to the philosophy and aesthetics of the indigenous tribes in Mexico, integrating them with more typical aspects of contemporary art. His photographs, on the other hand, tend to be of a more abstract style.

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