"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 949 px | ||
 |
1500 px |
| Dimensions of the file (px) | 949x1500 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
immediately upon purchase
This image is available for with a licence: you can them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please us for a custom licence. Art image bank
- Giclée Print / Digital Print
- Dimensions Several sizes available
- Several s available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Categories Science fiction
With this intriguing figure before me, I decided to design a skin texture that mimics the natural camouflage developed by certain insects, reptiles, and other animals on our planet to blend into their surroundings—as if it were an evolutionary adaptation of this being on its own planet.
To achieve this, I used four different textures: a wooden blind, a banana plant trunk, a wooden door, and a stack of basalt blocks cut into sections.
While working, every adjustment to the blending modes or the duplication of a layer revealed stunning new possibilities to bring this creature’s crypsis to life. I selected the four variations I liked the most, but I’m certain I’ll revisit this project and experiment with new possible skins for this mysterious being.
Related themes
I studied Graphic Advertising at Escuela Técnica - UTU (Universidad del Trabajo del Uruguay) from 1991 to 1993, graduating that year.
Photography and drawing were my favorite hobbies, and since the late '80s, I’ve been playing in various local rock bands.
In 1995, I began working as a video editor and cameraman, a role I held until October 2023 when I lost my job. Over those years, I had to set aside drawing and photography due to a lack of time, and music became my main outlet. Nonetheless, I often spent my free moments between jobs manipulating images on my PC, experimenting with filters, textures, noise, and distortions until they were almost (or completely) abstract.
As camera technology evolved over the years, improving the image quality, I developed an obsession with degrading images, making them less sharp, dirtier, and more "analog," so to speak. Textures, especially "grunge" textures, became crucial in my work. In the past year, I’ve devoted even more time to this process, which I consider a form of "digital art with analog materials," involving photographs altered with textures and often, textures layered with more textures.
I maintain a blog on my website where I share the process behind each work I post there and on my social media.
And now, I’m here, presenting my work to a more specialized audience.
- Nationality: URUGUAY
- Date of birth : 1969
- Artistic domains:
- Groups: Contemporary Uruguayan Artists
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