© 2015 Friedrich Ursprung
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Ligatura Desiderii (2015) Photography by Friedrich Ursprung
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Photography, 26.2x19.7 in
$696.24
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| Dimensions of the file (px) | 1125x1500 |
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Artwork signed by the artist
Certificate of Authenticity included
- Manipulated Photography on Paper
- Dimensions Height 26.2in, Width 19.7in
- Artwork's condition The artwork is in good condition
- Framing This artwork is not framed
- Categories Erotic Nudes
Corpus obstrictum, sed mens vagatur. Speculum non refert imaginem, sed votum. The body is bound, but the mind wanders. The mirror reflects not the image, but the desire. What binds is not constraint, but rhythm. In this braided encounter of flesh and artifice, desire coils into form. The body becomes a glyph—encrypted, offered, and mirrored—yet never [...]
Corpus obstrictum, sed mens vagatur.
Speculum non refert imaginem, sed votum.
The body is bound, but the mind wanders.
The mirror reflects not the image, but the desire.
What binds is not constraint, but rhythm. In this braided encounter of flesh and artifice, desire coils into form. The body becomes a glyph—encrypted, offered, and mirrored—yet never fully present. This is not an image to interpret, but a cipher to be entered. The straps do not hold back, they conduct.
A choreography of friction, shaped by the will to be seen—refracted and ritualized.
"Ligatura Desiderii" ne montre pas un corps, il le désigne.
Ce n’est pas une scène, c’est une structure – un schéma de tension, de désir canalisé. Les liens ne contraignent pas, ils dessinent.
Ils encadrent une chair qui ne veut ni fuir, ni offrir : elle veut tenir.
Le sujet ici ne se donne pas à voir, il s’inscrit. Chaque sangle devient ligne. Chaque surface, une promesse pliée sur elle-même.
Ce n’est pas l’érotisme de l’accès. C’est celui de la configuration.
Il ne s’agit pas d’un bondage, mais d’une iconographie du seuil.
Un corps tenu, non par l’autre, mais par sa propre mise en scène –
reflet d’un vouloir-être-convoqué, mais jamais touché.
Zwischen Ornament und Obsession
Im Spiegel kein Ich, kein Bild,
nur ein Echo dessen, was gesehen werden will.
Ein Wunsch in Gestalt.
Ein Ritus in Schleifen.
Ein Zeichen, das sich nicht erklärt, sondern empfängt.
Klinische Interpretation:
Mögliches Vorliegen eines Bindungs-Expositionskomplexes mit starker symbolischer Aufladung. Die visuelle Struktur erzeugt Reibung zwischen Ornament und Obsession, zwischen Kontrolle und Entblößung.
Es handelt sich um eine präsentierte Verschlüsselung, nicht um Öffnung.
Der Körper kommuniziert nicht – er codiert.
Speculum non refert imaginem, sed votum.
The body is bound, but the mind wanders.
The mirror reflects not the image, but the desire.
What binds is not constraint, but rhythm. In this braided encounter of flesh and artifice, desire coils into form. The body becomes a glyph—encrypted, offered, and mirrored—yet never fully present. This is not an image to interpret, but a cipher to be entered. The straps do not hold back, they conduct.
A choreography of friction, shaped by the will to be seen—refracted and ritualized.
"Ligatura Desiderii" ne montre pas un corps, il le désigne.
Ce n’est pas une scène, c’est une structure – un schéma de tension, de désir canalisé. Les liens ne contraignent pas, ils dessinent.
Ils encadrent une chair qui ne veut ni fuir, ni offrir : elle veut tenir.
Le sujet ici ne se donne pas à voir, il s’inscrit. Chaque sangle devient ligne. Chaque surface, une promesse pliée sur elle-même.
Ce n’est pas l’érotisme de l’accès. C’est celui de la configuration.
Il ne s’agit pas d’un bondage, mais d’une iconographie du seuil.
Un corps tenu, non par l’autre, mais par sa propre mise en scène –
reflet d’un vouloir-être-convoqué, mais jamais touché.
Zwischen Ornament und Obsession
Im Spiegel kein Ich, kein Bild,
nur ein Echo dessen, was gesehen werden will.
Ein Wunsch in Gestalt.
Ein Ritus in Schleifen.
Ein Zeichen, das sich nicht erklärt, sondern empfängt.
Klinische Interpretation:
Mögliches Vorliegen eines Bindungs-Expositionskomplexes mit starker symbolischer Aufladung. Die visuelle Struktur erzeugt Reibung zwischen Ornament und Obsession, zwischen Kontrolle und Entblößung.
Es handelt sich um eine präsentierte Verschlüsselung, nicht um Öffnung.
Der Körper kommuniziert nicht – er codiert.
Related themes
Friedrich Ursprung is a professionnal photographer and digital artist. He defines himself as a free-spirited iconoclast. His work is eclectic from abstract to explicit, about the age of self-referential hedonism. [...]
Friedrich Ursprung is a professionnal photographer and digital artist. He defines himself as a free-spirited iconoclast.
His work is eclectic from abstract to explicit, about the age of self-referential hedonism. He multiplies the images of himself to create a new one
Friedrich Ursprung is a selfie-thaught photographer. He studied method acting in San Francisco and storytelling in L.A.
- Nationality: SWITZERLAND
- Date of birth : unknown date
- Artistic domains: Works by professional artists,
- Groups: Contemporary Swiss Artists
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