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Ruines d'or (carton ennobli de feuilles d'or 22 carats) (2025) Sculpture by Isabelle Fauquez
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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About our fine prints- Paper maché on MDF Board
- Dimensions 7.9x14.6 in
Dimensions of the work alone, without framing: Height 7.1in, Width 13.8in / 0.50 kg - Artwork's condition The artwork is in perfect condition
- Framing This artwork is framed
- Fit for outdoor? No, This artwork can not be displayed outdoor
- Categories Abstract
L'oeuvre est faite en carton et décorée de clous. L'ensemble est ennobli à la feuille d'or 22 carats posée feuille après feuille avec un medium adéquat. L'oeuvre est enchassée dans un cadre en bois sur mesure mais ne comporte pas de verre pour rendre le paysage accessible à la vue.
Les ruines sont des contemplations poétiques qui suggèrent le temps qui e et valorisent le temps présent.
Related themes
Isabelle Fauquez peint sur papier et sur toiles les évocations de son monde onirique et précieux. Après avoir mené une carriè re dans la mode et la Haute-couture, où elle cré ait des broderies et des tissus peints, Isabelle Fauquez a orienté sa carriè re depuis 2016 vers la peinture à l’huile et le dessin. Elève de François Legrand pour laquelle elle voue une iration sincère, Isabelle a suivi ses cours et s’est formée à l’exercice du portrait à l’huile. En prenant des libertés avec le sujet elle s’est éloigné de la figuration pour exprimer la poésie des accidents et la liberté que donne le dérapage de la matière. Son propos consiste à accentuer la trace afin d’en suggérer la matière poétique qui nous échappe au premier regard.
- Nationality:
- Date of birth : 1952
- Artistic domains: Works by professional artists,
- Groups: Contemporary French Artists
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