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Jumanji, Not giving thanks - color lithography (2021) Printmaking by Margarita Suliaeva

Printmaking on Paper, 25.2x25.2 in
$668.53
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Fine art paper, 8x8 in

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This artwork appears in 7 collections
  • Lithography on Paper
  • Number of copies available 1
  • Dimensions Height 25.2in, Width 25.2in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Bird
The second sheet, as opposed to the rest, is the lightest and most airy, because it tells about a creature that periodically fly in a stream of air masses, about a winged creature, but so earthly - about a turkey. It is as if woven from the lightest fiber, like a chintz napkin. This series is dedicated to the images of the African continent. I have [...]
The second sheet, as opposed to the rest, is the lightest and most airy, because it tells about a creature that periodically fly in a stream of air masses, about a winged creature, but so earthly - about a turkey. It is as if woven from the lightest fiber, like a chintz napkin.

This series is dedicated to the images of the African continent.
I have always been attracted by the wild, animal energy emanating from society. This is a kind of opposition to progress that is inevitably crushing us. We are dying under the onslaught of requirements, protocols, and conformances here and there. The steel shackles of modernity are getting heavy, and our ancient "I" yearns for freedom.
Animals - the expression of our natural needs not only for food and offspring, but also rightfully enjoy the fleeting life, the moment.

The development of technology and progress dictates new speeds to us, makes us run faster than the wind. Not so long ago, i decided to move away from all this fuss in an area that is absolutely undeveloped, which technological progress has not caught on: in the area of ​​Africa! There i met unhurried people enjoying not material goods, but blue skies, and the same unhurried animals: cows endlessly driving away flies with their tails, dogs peacefully snoring in the shade, elephants, etc. Looking at them, you should think about how much you still need to learn.

Series consists of 6 graphic sheets. Arranged in the center, built on a silhouette, distinguished by the laconicism of the pictorial means of expressiveness (roughness of the stroke, bright coloring) - these images resemble two cultural phenomena combined into a single one: on the one hand, ancient petroglyphs, on the other, the works of French modernists.

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Margarita Suliaeva is a contemporary Russian visual artist based in Serbia, whose artistic prowess centers on the intricate world of printing graphics, with a particular focus on lithography. This ancient technique [...]

Margarita Suliaeva is a contemporary Russian visual artist based in Serbia, whose artistic prowess centers on the intricate world of printing graphics, with a particular focus on lithography. This ancient technique holds a special place in Suliaeva's heart, for it possesses the unique capacity to amalgamate the cold precision of steel and machinery with the vital warmth of human blood - a juxtaposition she finds truly enchanting. Throughout her body of work, the theme of oxymoronic dissimilarity weaves its way, serving as a unifying thread that defines the essence of Suliaeva's artistic expression.

Margarita's artistic journey includes a notable educational background, having graduated with honors from the Moscow State Academic Art Institute named after V.I. Surikov. This esteemed alma mater boasts a legacy that includes notable artists such as Ernst Neizvestny, Tahir Salahov, Erik Bulatov, Viktor Popkov, and Gely Korzhev. Her expertise as a graphic artist was solidified through her graduate thesis, a series of graphic artworks titled "Mzunzu." Executed between 2020 and 2021, these 16 pieces were born out of a cultural expedition to Africa, specifically Tanzania.

The "Mzunzu" series, which served as her graduate thesis, encapsulates Suliaeva's profound exploration of the indigenous cultural heritage of African tribes. This endeavor unfolded during and after her cultural expedition, providing a nuanced lens through which she sought to rediscover the richness and depth of African cultures. This body of work serves as a testament to Suliaeva's commitment to exploring intercultural differences, the primal origins of humanity, the essence of childhood, and the interconnectedness of the global human experience.

In a remarkable extension of her artistic exploration, the "Mzunzu" series served as the foundation for Margarita Suliaeva's inaugural solo exhibition. This showcase delved into the themes of intercultural disparities, the fundamental nature of human origin, the innocence of childhood, and the universal concept of the global child. Through her lithographic mastery and the evocative narratives woven into her works, Suliaeva continues to make a significant mark in the world of contemporary visual art, bridging cultures and perspectives with each stroke of her artistic expression.

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