NEW PERUN IS THE GOD OF THUNDER AND WAR, CHAOS (2023) Painting by Margarita Suliaeva

Oil on Fabric, 70.9x37.4 in
$902.65
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Fine art paper, 12x7 in

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This artwork appears in 4 collections
  • Oil on Fabric
  • Dimensions Height 70.9in, Width 37.4in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Mythology
The second sheet is a state of decay, the loss of those very living strings of the human soul. Here, the moment of chaos is stretched into infinity, and even it would seem that the geometricism that has appeared is designed to create solid ground under his feet, a on the path of life, but no: the process of self-destruction comes from within, [...]
The second sheet is a state of decay, the loss of those very living strings of the human soul. Here, the moment of chaos is stretched into infinity, and even it would seem that the geometricism that has appeared is designed to create solid ground under his feet, a on the path of life, but no: the process of self-destruction comes from within, and no external forces are able to help the creature not to perish.

The works resemble icons depicting saints to be worshipped. In our time, too, there are people who imagine themselves to be the very thunderbolts, the arbiters of fate. And in the same way, crowds go to bow to them to kiss the heel and see the newborn deity with their own eyes. Only from HIS mouth the truth is heard, only HE knows who is a friend and who is an enemy, and HE will not quench his thirst for blood in the holy war against the infidels. A person who imagines himself to be god loses touch with this world and his soul, the soul of a person that we are called to protect, perishes, and his lifeless body is transformed into stone. Now it's nothing–just a dead piece of rock. There's no way to save him. He is an idol like an ancient pagan deity, a stone Perun. Idols need to be brought down.

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Margarita Suliaeva is a contemporary Russian visual artist based in Serbia, whose artistic prowess centers on the intricate world of printing graphics, with a particular focus on lithography. This ancient technique [...]

Margarita Suliaeva is a contemporary Russian visual artist based in Serbia, whose artistic prowess centers on the intricate world of printing graphics, with a particular focus on lithography. This ancient technique holds a special place in Suliaeva's heart, for it possesses the unique capacity to amalgamate the cold precision of steel and machinery with the vital warmth of human blood - a juxtaposition she finds truly enchanting. Throughout her body of work, the theme of oxymoronic dissimilarity weaves its way, serving as a unifying thread that defines the essence of Suliaeva's artistic expression.

Margarita's artistic journey includes a notable educational background, having graduated with honors from the Moscow State Academic Art Institute named after V.I. Surikov. This esteemed alma mater boasts a legacy that includes notable artists such as Ernst Neizvestny, Tahir Salahov, Erik Bulatov, Viktor Popkov, and Gely Korzhev. Her expertise as a graphic artist was solidified through her graduate thesis, a series of graphic artworks titled "Mzunzu." Executed between 2020 and 2021, these 16 pieces were born out of a cultural expedition to Africa, specifically Tanzania.

The "Mzunzu" series, which served as her graduate thesis, encapsulates Suliaeva's profound exploration of the indigenous cultural heritage of African tribes. This endeavor unfolded during and after her cultural expedition, providing a nuanced lens through which she sought to rediscover the richness and depth of African cultures. This body of work serves as a testament to Suliaeva's commitment to exploring intercultural differences, the primal origins of humanity, the essence of childhood, and the interconnectedness of the global human experience.

In a remarkable extension of her artistic exploration, the "Mzunzu" series served as the foundation for Margarita Suliaeva's inaugural solo exhibition. This showcase delved into the themes of intercultural disparities, the fundamental nature of human origin, the innocence of childhood, and the universal concept of the global child. Through her lithographic mastery and the evocative narratives woven into her works, Suliaeva continues to make a significant mark in the world of contemporary visual art, bridging cultures and perspectives with each stroke of her artistic expression.

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