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Full Stop (2024) Photography by Marine Foissey
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- Digital Photography on Paper
- Number of copies available 1
- Dimensions Height 19.7in, Width 19.7in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Surrealism
The bird of ill omen has left a message.
- there are worse things, you might say -
But it remains like that melody that we hum.
It sticks to the skin without keeping us warm.
We build ourselves partly from our failures.
Being the one we didn't choose, the one we take last, the one we don't call back,
whose first name we forget, the one we don't listen to, who is not on the list.
Swipe left.
The invisible, the rejected.
The eliminated, the chosen, the chosen, the excluded.
A frustration, a pain that looks like tiny traumas branded with the hot iron of our memories.
Place yourself right in the middle of the target and wait.
All is well in the best of all possible worlds, I tell you.
Rousseau would have been very entangled in the 21st century.
Self-love vs. self-esteem.
Will we succeed in respecting ourselves, in building ourselves?
Or will we continue this infinite competition to be better than others?
Will we resist?
We are not numbers on a waiting list.
We are not these refusals.
We are.
No matter the others, the world, the differences and the difficulties.
The problem is not being weak, it is believing that we are.
I would like this to be a hymn to self-love and the honesty that we owe ourselves.
I choose you.
You choose yourself.
Marine Foissey is a renowned photographer . A committed artist, she uses photography and affirms the place of discourse in her shots, which are as many positions and oppositions. His reflection is under the sign of suffering and death. Between acid irony and lucid derision, she faces them without pathos
She invests the field of the gaze by a work of recomposition of reality in the studio. She remakes the world in her image. Virtually. The large series, Impressions, the Cranial Boxes, Memento Mori, the Marines, Deadline and White-Spirit depict everyday beings, objects and places that have become strangely absurd and compacted into associations that are neither random nor automatic. All the series have been exhibited at festivals, fairs, collective and individual exhibitions.
His inspirations range from the starkness of 17th century Spanish still lifes to the purity of the marble of a sculpture, to the silences of Hopper. To the Hitchcockian innuendos, to the lost time of a phrase by Proust, to the suspended time with Bill Viola, to the glass bottle of Coca-Cola.
She is looking for a certain poetry, both in her work and in her life. Loving the idea that an image needs words or external elements that push the viewer to feel intellectually and physically what he sees. To oppose the idea that an image is sufficient unto itself. This explains the need for the artist to give titles to each of his images and to accompany the series with a text. We need words or, where appropriate, poetic sensations.
Marine Foissey is a French artist, graduated from the Paris Icart Photo School of Photography in 2010. Her works have been exhibited nationally and internationally. His latest series Fucking Perfect Life has been nominated for several international competitions (Prix de la Photographie de Paris -PX3, Fine Art Photo Award in London and the International Photo Award in Tokyo).
- Nationality:
- Date of birth : 1987
- Artistic domains: Works by professional artists,
- Groups: Contemporary French Artists
Marine Foissey: My joys, my anxieties and my doubts 
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