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Transfiguration 124 (2024) Painting by Matthew Anderson
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| 1142 px | ||
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1500 px |
| Dimensions of the file (px) | 1142x1500 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
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Memories are often inaccurate and biased according to our beliefs, expectations and hopes, as well as our life experiences. How we process visual input is also affected by these personal characteristics. Ask two people to describe the exact same place they have both just visited and you will receive two differing descriptions regarding the details. What we recall, how we recall, and the hierarchy of importance are highly individualized.
These works are relatively devoid of any concrete representation and are intended to hint at rather than specify for the viewer. Functioning as suggestion for thought or feeling, it is up to the viewer to come to their personal conclusions regarding meaning or paths to meaning.
To generate meaning from a non-representational image demands a longer look, a reflection and projection of free thought and associations. They will likely mean something different for each viewer as it is only natural to bring to an image all personal experience and memory. However, it is the process of looking and analyzing your own wonderings that is in itself the message. Look, and look again.
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Matthew Anderson is a contemporary award-winning American painter. More than 30 years he has mainly created oil abstraction and watercolor landscapes. Much like watercolor, he works in several layers in oil, sometimes translucent glazes and others thinning down the paint to flow like water. The subject is more important in of the connection of the landscape to abstract work. Anderson’s abstractions are references to the relationships of landscape and figure.
Matthew Anderson was born in 1967, in the USA. He lives and works in South Korea.
- Nationality: UNITED STATES
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary American Artists
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