Portrait de Jean le Rond d'Alembert (1753) Drawing by Maurice Quentin De La Tour
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Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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About our fine printsJean le Rond d'Alembert est représenté avec un regard direct et pénétrant, qui semble capturer l'intelligence et la curiosité de l'homme. Son visage est animé par un léger sourire, suggérant une amabilité et un esprit vif. La finesse de la représentation de ses traits, combinée à l'éclat de ses yeux, transmet un sens de la présence et de l'acuité intellectuelle.
D'Alembert est habillé de manière sobre mais élégante, typique de l'intellectuel du XVIIIe siècle. Il porte un manteau marron et un gilet, rehaussés par une chemise blanche à jabot de dentelle, qui ajoute une touche de sophistication à son apparence. L'attention aux détails, comme les boutons soigneusement alignés de son manteau et le nœud délicat de sa cravate, reflète le statut social et le raffinement du sujet.
La technique du pastel permet à La Tour de jouer avec la lumière et la texture, donnant une qualité presque tactile à l'œuvre. Les couleurs douces et la finesse des nuances utilisées pour le visage contrastent agréablement avec les tons plus sombres et riches de l'habillement, mettant en valeur le visage expressif de d'Alembert.
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Maurice Quentin de La Tour is a French portrait painter in the Rococo style. He was born on September 5, 1704 and died on February 17, 1788. Among his most famous subjects were Voltaire, Rousseau, Louis XV and Madame de Pompadour. In 1737, at the Paris Salon, de La Tour presented portraits of Madame Boucher , wife of the painter François Boucher, and the Author who laughs (Louvre museum), first in a series of 150 portraits which will be one of the highlights of the Paris Salon for the following 36 years . But the painter Joseph Ducreux said he was his only student (although this is unlikely). On May 25, 1737, the Royal Academy of Painting and Sculpture granted de La Tour official recognition as a painter. Shortly after, the French court became interested in his work. Jeffares indicates that in 1745, he had an apartment in the Palais du Louvre. By the end of the 1760s, he no longer painted portraits of the royal family. People have often thought that the figures in De La Tour's portraits had a unique charm and intelligence, and that his delicate but sure touch with pastels gave their faces a pleasant softness.
La Tour's commissions bring in more and more money and their generosity increases. He created a drawing school in his hometown of Saint-Quentin and gave money to poor women in prison, disabled artists and elderly artists. He also helped the Royal Academy of Painting and Sculpture in Paris and the Academy of Sciences and Belles Lettres in Amiens by giving them advice and money. Finally, a mental illness forces him to stay at home and seek treatment from his brother Jean-François. He retired at the age of 80 to Saint-Quentin, where he died without a will at the age of 83. (he had revoked previous wills). Jean-François, who died in 1807 and was a knight of the royal military order of Saint-Louis, is the natural heir to his estate.
- Nationality:
- Date of birth : 1704
- Artistic domains: Represented by a Gallery,
- Groups: Artists presented by a gallery
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