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fragmented-memories (2024) Digital Arts by Michael Konradi

Fine art paper, 7x12 in

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Usage: Web Licence
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  857 px  

1500 px
Dimensions of the file (px) 857x1500
Use worldwide Yes
Use on multi- Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
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  • Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several s available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Graffiti
Das Bild zeigt eine Collage aus verschiedenen Papierschichten und Fragmenten, die ungleichmäßig übereinander angeordnet sind. Die Papiere wirken gealtert, vergilbt und abgenutzt, was dem gesamten Bild eine nostalgische und leicht bedrückende Atmosphäre verleiht. Auf einigen der Papiere sind Teile von Buchstaben, Zahlen und einfachen grafischen Elementen [...]
Das Bild zeigt eine Collage aus verschiedenen Papierschichten und Fragmenten, die ungleichmäßig übereinander angeordnet sind. Die Papiere wirken gealtert, vergilbt und abgenutzt, was dem gesamten Bild eine nostalgische und leicht bedrückende Atmosphäre verleiht. Auf einigen der Papiere sind Teile von Buchstaben, Zahlen und einfachen grafischen Elementen wie Pfeilen oder geometrischen Formen zu erkennen, jedoch sind die meisten Texte und Bilder nur teilweise sichtbar oder unleserlich. Besonders auffällig ist ein großes Fragment in der Mitte, auf dem das Wort "PUSH" zu lesen ist, was möglicherweise auf ein altes Schild oder Plakat hinweist. Die gesamte Komposition wirkt chaotisch und zufällig, als ob die verschiedenen Schichten im Laufe der Zeit zusammengetragen und übereinandergelegt wurden, ohne eine klare Struktur oder ein erkennbares Motiv.
Das Bild lässt sich am besten als eine Form von Mixed-Media-Collage einordnen, die stark von Dadaismus und Postmoderne beeinflusst ist.

Related themes

Postmoderne

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Born in Heiligenstadt in 1981, I grew up in a time that had a lasting impact on my perspective on the world and art. My artistic approach is driven less by a fixed plan than by a deep-rooted, playful curiosity. [...]

Born in Heiligenstadt in 1981, I grew up in a time that had a lasting impact on my perspective on the world and art. My artistic approach is driven less by a fixed plan than by a deep-rooted, playful curiosity. You could compare my approach to that of a child who delves into a Lego construction set completely freely and without expectations. I rarely start with a specific vision or finished image in my head.

Instead, I let the creation process itself guide me. Every brush stroke, every layer of paint applied, every evolving shape inspires the next step. It is a dynamic dialogue between me and the canvas, an organic growth in which I allow myself to be guided from moment to moment by what I have created so far. This also means that at the beginning I rarely know exactly where the journey will lead and what the final work will look like. For me, the fascination lies in the unpredictability, in discovering while doing something.

This way of working can perhaps be compared to carving a small, hand-sized wooden figure: to achieve this delicate result, you often have to, metaphorically speaking, work on a huge block and remove an enormous amount of material, "shavings". A lot is created along the way, a lot is tried out and rejected until something emerges that feels harmonious and special. This playful, process-oriented freedom is the core of my artistic practice.

 

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