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"The Silence of a Branch" botanical bas-relief (2025) Printmaking by Natalia Aleshina

Printmaking on Object, 11.8x7.9 in
$550.88
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Seller Natalia Aleshina
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Certificate of Authenticity included
Ready to hang
  • Plaster on Object
  • Dimensions Height 11.8in, Width 7.9in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Tree
"The Silence of a Branch" — botanical bas-relief. Like a gentle touch of a summer memory, this bas-relief preserves the delicate imprint of a fragile twig, as if found during a quiet morning walk. The natural silhouette emerges through a soft, almost porcelain-like surface, subtly shimmering in the light. The golden lines running across the relief [...]
"The Silence of a Branch" — botanical bas-relief
Like a gentle touch of a summer memory, this bas-relief preserves the delicate imprint of a fragile twig, as if found during a quiet morning walk. The natural silhouette emerges through a soft, almost porcelain-like surface, subtly shimmering in the light.
The golden lines running across the relief are inspired by the Japanese art of kintsugi — the tradition of mindful restoration. Here, they do not conceal the cracks, but rather highlight them, reminding us that there is a special beauty in fragility, and that the traces of time can become part of the ornament.
This piece speaks of silence, of a tender connection to memory, and of harmony with nature. It brings a sense of calm, light, and quiet, heartfelt gentleness into any space.

Related themes

Natural Textures

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organic wall sculpture.
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Natalia Aleshina Portrait
Natalia Aleshina
Russia
A self-taught modern artist who loves to experiment and realise her dreams. I like to create art, not just paint pictures. I like to use and mix different techniques. My goal is that people want to touch art, [...]

A self-taught modern artist who loves to experiment and realise her dreams. I like to create art, not just paint pictures. I like to use and mix different techniques. My goal is that people want to touch art, not figuratively but literally. So that people want to touch the painting and understand, ‘what is it?’, ‘what is it made of?’. I respect artists who create realistic paintings, but for me I choose to do something interesting to show people that it is possible. That's art too.

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