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Sans titre (Dino) (2024) Peinture par O.M.A.

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Vendeur O.M.A.

Papier d'art, 11x8 in
  • Encre sur Papier
  • Dimensions Les dimensions sont disponibles sur demande
  • Encadrement Cette œuvre n'est pas encadrée
  • Catégories Dark-Fantasy
About nine o'clock the bearings of the 'Great Eastern' were west-north-west I was just going on deck, when I met Captain Mac Elwin, accompanied by a friend, a tall, robust man, with a light beard and long moustache which mingled with the whiskers and left the chin bare, after the fashion of the day. This tall fellow was the exact type of an English [...]
About nine o'clock the bearings of the 'Great Eastern' were west-north-west I was just going on deck, when I met Captain Mac Elwin, accompanied by a friend, a tall, robust man, with a light beard and long moustache which mingled with the whiskers and left the chin bare, after the fashion of the day. This tall fellow was the exact type of an English officer; his figure was erect without stiffness, his look calm, his walk dignified but easy; his whole appearance seemed to indicate unusual courage, and I was not mistaken in him.

First of all the anchor had to be raised. The 'Great Eastern' swung round with the tide; all was now clear, and Captain Anderson was obliged to choose this moment to set sail, for the width of the 'Great Eastern' did not allow of her turning round in the Mersey. He was more master of his ship and more certain of guiding her skilfully in the midst of the numerous boats always plying on the river when stemming the rapid current than when driven by the ebb-tide; the least collision with this gigantic body would have proved disastrous.

One might have thought oneself in the worst part of Upper Thames Street, near London Bridge. I walked on, following the upper decks towards the stern. Stretching on either side were two wide streets, or rather boulevards, filled with a compact crowd; thus walking, I came to the centre of the steam-ship between the paddles, united by a double set of bridges.

The crew had undoubtedly had time to leave her, but could they have reached land, which was three hundred miles off? Could a frail boat live on a sea like that which had rocked the 'Great Eastern' so frightfully? And when could this catastrophe have happened? It was evident that the shipwreck had taken place farther west, for the wind and waves must have driven the hull far out of her course. These questions were destined to remain unanswered.

From the deck rise six masts and five chimneys. The three masts in front are the 'fore-gigger' and the 'foremast' (both of them mizen-masts) and the 'main-mast.' The last three astern are the 'after-main-mast,' 'mizen-mast,' and 'after-gigger.' The fore-masts and the main-masts carry the schooner-sails, the top-sails, and the gallant-sails; the four other masts are only rigged with ordinary sails; the whole forming 5400 square yards of good canvas.

But in this respect the steward knew no more than I did, and he left me to myself. I then made up my mind to visit all the ins and outs of this immense ant-hill, and began my walk like a tourist in a foreign town. A black mire that British mud which is so rarely absent from the pavement of English towns covered the deck of the steamship; dirty gutters wound here and there.

On leaving the station, I went to the Adelphi Hotel. The 'Great Eastern' was announced to sail on the 20th of March, and as I wished to witness the last preparations, I asked permission of Captain Anderson, the commander, to take my place on board immediately, which permission he very obligingly granted.

But he was not mistaken in saying, 'A mad woman!' Ellen was mad, undoubtedly; grief, despair, love frozen in her heart, with the worthless man who had snatched her from Fabian, ruin, misery, and shame had broken her spirit. It was on this subject that Corsican and I spoke the following morning.

Soon we came in sight of Queenstown, a small 'calling-place,' before which several fishermen's boats were at work. It is here that all ships bound for Liverpool, whether steamers or sailing-ships, throw out their despatch-bags, which are carried to Dublin in a few hours by an express train always in readiness. From Dublin they are conveyed across the channel to Holyhead by a fast steamer, so that despatches thus sent are one day in advance of the most rapid Transatlantic steamers.

The lines of the 'Great Eastern' are very elongated; her straight stem is pierced with hawse-holes, through which the anchor-chains ; no signs of dents or protuberances are to be seen on her finely-cut bows, but the slight sweep of her rounded stern somewhat mars the general effect.

Thèmes connexes

Animal

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Artiste en tout genre conçu au siècle dernier pour déjouer apparences et pronostics, qui s'en remet usuellement au verdict de l'oiseau de Prévert:. "Si l’oiseau ne chante pas. C’est mauvais signe. Signe que le [...]

Artiste en tout genre conçu au siècle dernier pour déjouer apparences et pronostics, qui s'en remet usuellement au verdict de l'oiseau de Prévert:

"Si l’oiseau ne chante pas
C’est mauvais signe
Signe que le tableau est mauvais
Mais s’il chante c’est bon signe
Signe que vous pouvez signer
Alors vous arrachez tout doucement
Une des plumes de l’oiseau
Et vous écrivez votre nom dans un coin du tableau"

Selon l'avis général et particulier, il s'agit d'art (au choix - plusieurs réponses possibles) :
A/ Absurde
B/ Authentique
C/ Brut (précisez: C1/ Abruti C2/ Brutal)
D/ Drôle (précisez: D1/ Comique D2/ Bizarre)
E/ Engagé
F/ Expressif
G/ Inédit
H/ Poétique
I/ Vivant
J/...(e ne me prononce pas)

(Enfant de la Commune de Paris et du Conseil national de la Résistance, Xénophile)

L'Artiste a été mis en avant dans un article de ArtMajeur Magazine:

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