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The Wave - Triptyque 1/5 (2015) Photography by Philip Richard

Photography, 35.4x100.4 in
$7,712.39
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Certificate of Authenticity included
Ready to hang
This artwork is framed
Mounted on Aluminium
  • Digital Photography on Aluminium
  • Number of copies available 5
  • Dimensions 35.8x100.8 in
    Dimensions of the work alone, without framing: Height 35.4in, Width 100.4in
  • Artwork's condition The artwork is in very good condition
  • Framing This artwork is framed
  • Categories Desert
Oeuvre présentée en triptyque de 3 éléments de h 91 cm x l 85,5cm x profondeur 5 cm avec cadre noir affleurant de 5 cm de profondeur. L'histoire a-delà de l'image. Une route de montagne la nuit dans le sud de l’Utah, les rafales de neige déferlent dans une tempête blanche, je commence à douter d’arriver à destination. Finalement la chance est de mon [...]
Oeuvre présentée en triptyque de 3 éléments de h 91 cm x l 85,5cm x profondeur 5 cm avec cadre noir affleurant de 5 cm de profondeur.

L'histoire a-delà de l'image

Une route de montagne la nuit dans le sud de l’Utah, les rafales de neige déferlent dans une tempête blanche, je commence à douter d’arriver à destination. Finalement la chance est de mon côté. Elle le sera de nouveau le lendemain matin à la Ranger’s station pour le tirage au sort des quelques heureux élus qui pourront poursuivre avec une journée de marche jusqu’à un lieux mythique de l’Ouest Américain: “The Wave”. Une œuvre d’Art de la Nature. Un phénomène géologique créant une série de vagues géantes aux couleurs ocres et dorées au milieu desquelles on peut se fondre. J’ai longtemps imaginé ce spectacle et les images que je pourrais créer; c’est la vision abstraite qui m’a conduit dans une conceptualisation géométrique que j’ai enfin pu concrétiser plusieurs années plus tard.

Au sujet des éditions d’art

Vous offrir le meilleur, c’est non seulement une approche technique exigeante à la prise de vue, mais également à l’édition. L’objectif est de vous fournir une véritable « photographie d’art », selon les plus hauts standards professionnels de qualité, avec les techniques d'impression haute définition et grand format de l’un des meilleurs laboratoire photo au monde que j’ai sélectionné.

L'impression de la photographie réalisée par sublimation sur aluminium, donne une superbe brillance des couleurs sur un matériau fascinant, mince, léger, rigide et résistant aux rayures et aux intempéries. Les couleurs sont imprégnées à ultra-haute température dans le métal. Les impressions métal HD / Chromalux sont robustes et de haute qualité, résistent aux UV, et sont même imperméables. C’est le procédé que nous utilisons pour les très grands formats, en cas de contraintes de poids ou pour des conditions d’installation particulières tel que en environnement humide.

Cette oeuvre est également disponible en édition limitée sous verre acrylique ou Diasec TruLife anti-reflet. Les oeuvres sont disponibles en plusieurs formats typiquement entre 1,2 et 2,4 m de longueur.
Chaque oeuvre est fournie avec un certificat d'authenticité signé et numéroté.

Pour en savoir plus voir mon site internet

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Philip was born in a small town in south-east , bathed in the light of Provence, and now lives in Aix-en-Provence. He has always been fascinated by the universe and colours, and has pursued his ions [...]

Philip was born in a small town in south-east , bathed in the light of Provence, and now lives in Aix-en-Provence.  He has always been fascinated by the universe and colours, and has pursued his ions in two different directions in life. One was scientific, in search of the secrets of lightning and thunderstorms, which took him to the world's most heavily struck regions: Africa, Asia and the Americas, where he lived for several years in the American West. The other is artistic, as a nature photographer, where he combines his two sensibilities in a hyper-realistic photographic approach in search of authenticity, realism and impact. 

Philip has realised from his many travels and encounters that, despite the diversity of cultures, there are universally shared impressions when when faced with the spectacle of our universe. These are fundamental feelings about the mysteries and forces of nature that he wants to revive. His images are often conceptualised long in advance, right up to the moment when the natural elements come together - the location, the moment, the light - to create ‘the right impression’, and rediscover the visual and mental impact felt when contemplating our Mother Earth and Universe wonders.

See more from Philip Richard

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