Let us know if you would like to see more photos of this artwork!
- Back of the work / Side of the work
- Details / Signature / Artwork's surface or texture
- Artwork in situation, Other...
As flores que plantei I (2024) Painting by Ritchelly Oliveira
Let us know if you would like to see more photos of this artwork!
- Back of the work / Side of the work
- Details / Signature / Artwork's surface or texture
- Artwork in situation, Other...
More info
- Packaging (Wood Crate) All artworks are shipped with a carrier, carefully protected and insured.
- Tracking Order tracking until the parcel is delivered to the buyer. A tracking number will be provided so that you can follow the parcel in real-time.
- Delay Most packages are delivered worldwide within 1 to 3 weeks (Estimate)
- Customs not included The price does not include customs fees. Most countries have no import tax for original artworks, but you may have to pay the reduced VAT. Customs fees (if any) are to be calculated on arrival by the customs office and will be billed separately by the carrier.
More info
- Trackable Online Certificate of Authenticity Authenticity Certificates can be verified online at any moment by scanning the artwork code.
- Artist Value Certification Experts study the work and career of an artist then establish an independent and reliable average price value. The average price value situates the artist on a price range for a given period. The experts may also be asked to establish a more precise estimate for a particular work.
More info
100% secure payment with SSL certificate + 3D Secure.
More info
Artist: Ritchelly Oliveira
Medium: Charcoal and oil on canvas
Dimensions: 150 x 120 x 3 cm
Ritchelly Oliveira’s “As flores que plantei I” is a delicate exploration of human emotion, fragility, and memory. Using his signature technique of charcoal and oil on canvas, Oliveira merges raw expression with soft, organic forms to depict the emotional landscapes of the human experience. The title itself, which translates to "The Flowers I Planted I", evokes themes of growth, nostalgia, and the quiet resilience found within relationships.
In this work, Oliveira’s ethereal figures and allegorical elements—often represented by birds—intertwine with an introspective narrative. These motifs reflect the artist's ongoing dialogue with affectivity and personal history, shaped by formative experiences and the pursuit of love as a universal yet profoundly individual feeling
.
The interplay of light and shadow within the piece amplifies its emotional weight, while Oliveira’s masterful use of charcoal creates a haunting yet poetic atmosphere. Every brushstroke and detail invites viewers to reflect on their own emotional journeys, making "As flores que plantei I" not just a painting, but a shared space for connection and introspection.
Related themes
Ritchelly Oliveira, born in 1993 in Brazil, is a visual artist who studied visual arts at the Federal University of Goiás (UFG). He began his professional journey in the plastic arts in 2012 and has since developed a distinctive approach to exploring the human figure. Oliveira’s work delves into what he perceives as the deepest aspects of affective relationships, particularly the concept of love. He views love as a universal feeling, yet one that remains deeply individual and personal, often tied to emotional wounds that may never fully heal. His art speaks to the courage required to navigate emotional experiences and the complexities of human connection.
Over the years, Ritchelly Oliveira has gained recognition in the art world, with his works exhibited in both Brazil and the United States, and featured in various international magazines. He believes that portraits act as fingerprints in our minds, allowing us to explore the connections between love, family, and daily experiences. For Oliveira, the portrait serves as a way to both honor presence and address absence, helping to bridge the gap between the living and the departed. His process also allows viewers to identify with the emotions conveyed through these intimate depictions.
Some of his portraits are intentionally unfinished, reflecting the idea that, much like human beings, we are constantly evolving and carrying unanswered questions and unfulfilled desires. These gaps in his work invite new interpretations and meanings, embracing the potential of the unfinished. Although Oliveira’s work now primarily aligns with realism, he stresses that this style emerged organically and without pretense, becoming a natural part of his artistic expression.
- Nationality: PORTUGAL
- Date of birth : 1993
- Artistic domains: Represented by a Gallery,
- Groups: Artists presented by a gallery
Artmajeur Magazine No. 32 
Explore the history of art through AI
Visually similar works of art history
