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Der Kyklad (2024) Sculpture by Sheraya_berlin

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  1046 px  

1500 px
Dimensions of the file (px) 1046x1500
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  • Wood on Wood
  • Dimensions Height 15.8in, Width 9.1in / 0.60 kg
  • Artwork's condition The artwork is in perfect condition
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Mythology
Sheraya's "Kyklad" is the newest figure to face an increasingly unreal and confusing world. Like all of his figures, which are peaceful, alert, diverse and curious, she tries to counteract the restlessness with calm. She literally looks at the viewer and offers a surface for reflection or makes you smile. This is her place, her space, this is where [...]
Sheraya's "Kyklad" is the newest figure to face an increasingly unreal and confusing world. Like all of his figures, which are peaceful, alert, diverse and curious, she tries to counteract the restlessness with calm. She literally looks at the viewer and offers a surface for reflection or makes you smile. This is her place, her space, this is where she wants to be. She rests within herself and invites the viewer to do the same, to pause and rest while everyday life es by. A pause that otherwise hardly seems possible in our fast-moving times and yet is so necessary. The Cyclad is attached to a semicircle and stands on a waxed, black base plate (dimensions: 10cm x 30cm). The arch allows her to sway gently back and forth.
The figure is made of obelisk wood, the base is made of maple, it is stained and oiled, the figure is only oiled. Base plate is made of MDF, stained and oiled.

Related themes

Obstholz

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Sheraya is a contemporary German artist whose work is deeply influenced by his travels and personal experiences. His signature characters and figures were initially conceived while traveling—on trains, buses, [...]

Sheraya is a contemporary German artist whose work is deeply influenced by his travels and personal experiences. His signature characters and figures were initially conceived while traveling—on trains, buses, ferries, or during stays in accommodations, whether on beaches or in the mountains. Each journey became a creative process, resulting in small groups of figures that served as companions for the artist. Sheraya notes, “I never travel without tools and probably work more on vacation than at home; what I see, experience, and feel immediately finds expression and form.”

Some of Sheraya’s figures are inspired by cultural artifacts, particularly the works featured in the exhibition catalog Aklama - Helping Spirits of the Ewe and Dangme from the Horst Antes study collection. The simplicity and cultural significance of these figures resonate with Sheraya’s artistic philosophy, as they represent helping spirits of daily life.

The process of carving his figures brings Sheraya a sense of inner peace, which is then imbued into the creations themselves. These figures act as mirrors and points of rest in everyday life, offering a moment of reflection and serenity. Sheraya’s art bridges the tangible beauty of material with the intangible essence of cultural and emotional expression.

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