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Violet's Wool (2024) Digital Arts by Stuart Hicking

Fine art paper, 11x8 in

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$33.82
Usage: Web Licence
Using the image on a website or on the internet.
  1060 px  

1500 px
Dimensions of the file (px) 1060x1500
Use worldwide Yes
Use on multi- Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
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  • Giclée Print / Digital Print on Paper
  • Dimensions Several sizes available
  • Several s available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Everyday Life
Knit a row, pearl a row, was a mantra I from my youth. I knitting a pair of mittens when I was 8 years old. Full of holes and odd shaped thumbs, they still served a purpose, for a short while at least. These prints are reflections on childhood, mine in this case, but familiar to us all. About this artwork: Classification, Techniques [...]
Knit a row , pearl a row, was a mantra I from my youth. I knitting a pair of mittens when I was 8 years old. Full of holes and odd shaped thumbs, they still served a purpose, for a short while at least. These prints are reflections on childhood, mine in this case, but familiar to us all.

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I went to art college back in the 1970s, where I received a BA 1st (Hons) in Fine Art before completing an MA at the Royal College of Art in the film school. I then worked in film and video production and finally [...]

I went to art college back in the 1970s, where I received a BA 1st (Hons) in Fine Art before completing an MA at the Royal College of Art in the film school. I then worked in film and video production and finally the education sector before early retirement.
The main influences on me, during my early days, were the artists being talked about in the 1970s, such as Jasper Johns, Robert Rauschenberg and Jim Dine. The New York scene seemed to combine and challenge what art, performance and film could be in a way that has left a permanent mark on my psyche. This cocktail of Pop Art imagery and Abstract Expressionist mark-making seems to be where I feel most comfortable.

The imagery I refer to in my work is autobiographical and has a backstory which is both personal and yet familiar to us all. It is where everyday objects seem to mean a lot.

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