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Rêveuse cuivrée, sculpture allongée, odalisque oxydée (2025) Sculpture by Vanessa Renoux

Sculpture - Metals, 11.8x20.1 in
$841.65
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  • Metals on Metal
  • Dimensions Height 11.8in, Width 20.1in / 1.00 kg
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Oriental Art
Sculpture inspirée par la tradition picturale des odalisques, ces figures féminines allongées qui peuplent la peinture classique et orientaliste — de Jean-Auguste-Dominique Ingres à Henri Matisse. L’artiste Vanessa Renoux s’éloigne ici de l’approche frontale et sensuelle des odalisques peintes pour proposer une réinterprétation contemporaine et stylisée, [...]
Sculpture inspirée par la tradition picturale des odalisques, ces figures féminines allongées qui peuplent la peinture classique et orientaliste — de Jean-Auguste-Dominique Ingres à Henri Matisse. L’artiste Vanessa Renoux s’éloigne ici de l’approche frontale et sensuelle des odalisques peintes pour proposer une réinterprétation contemporaine et stylisée, toute en abstraction et en légèreté.
Une figure féminine, organique et dense, mais toujours longiligne, dans une posture étirée évoquant la détente et l’abandon.
• Les teintes chaudes (rouge-brun) associées au vert-de-gris renforcent l’effet de patine, de matière ancienne, comme si cette œuvre était une relique d’un é rêvé.
• La silhouette évoque à la fois une force intérieure et une grande douceur : l’énergie du mouvement dans l’instant de repos.
Visage, doré à la feuille, affiche la sérénité et une touche de lumière rayonnante.

Vanessa Renoux est généralement reconnue pour ses figures verticales, élancées, aux postures aériennes et dansantes. Ces œuvres-ci marquent donc une rupture volontaire :
• Horizontalité assumée, évoquant la quiétude, la contemplation, le corps dans sa plénitude plutôt que dans son élan.
• Réduction formelle, avec des silhouettes presque graphiques, très épurées, mais toujours expressives.
• Dialogue avec l’histoire de l’art, sans pastiche, mais avec une relecture poétique des représentations féminines classiques.

Pièce unique de Vanessa Renoux, série inspirée des Odalisques nommée "les Rêveuses".

Vanessa Renoux travaille la sculpture en technique mixte dans une recherche de lignes épurées et d'harmonie. Une structure en acier détermine le squelette ou les contours de la sculpture. Des matériaux composites sont appliqués en modelage pour créer volumes et textures. L'ajout de patines acryliques, au pinceau, donne des reflets de bronze colorés et vibrants, stabilisés par un vernis ou une résine. Pas de coulage, pas de moulage, les pièces sont uniques et entièrement travaillées par l'artiste. Résistantes et pérennes, elles s'apparentent aux sculptures en bronze. Des éléments de récupération rendent certaines sculptures particulièrement attachantes.
Allégées, les sculptures contemporaines s'affinent en formes longilignes et épurées. La ligne, la danse et le mouvement- oscillation, balancier- sont omniprésents. Personnages stylisés, bestiaire décalé, sculptures mobiles, oscillantes... le tout en équilibre et harmonie.

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Vanessa Renoux is a contemporary French artist. She seeks purity and perfect lines in its imperfections. Vanessa Renoux wants to provoke a feeling of harmony and serenity in the viewer. She sees her sculptures [...]

Vanessa Renoux is a contemporary French artist. She seeks purity and perfect lines in its imperfections. Vanessa Renoux wants to provoke a feeling of harmony and serenity in the viewer. She sees her sculptures as objects of contemplation. The lines are soft and voluptuous, the couples are fusional and loving. She explores the attitudes of dance and movement. The animal sculptures are feline, refined and stylized.

Vanessa Renoux creates mixed media sculptures, combining steel rods and composite materials. The textured surface, painted and patinated for a long time, takes on the appearance of bronze.

The artist invites you to travel in a poetic and aerial universe, where line and movement are masters of space. Her sculptures, of great finesse and rare elegance, explore the notions of fragility and transformation, inviting the public to find their own balance, soothed and serene. Vanessa Renoux's sculptures also trigger joy, the simple happiness of childhood in front of swings and moving sculptures. Just like the animals represented which are both sensual and mischievous. Her studies in Greece and her visit to the Chauvet Cave are triggering and inspiring elements.

A trip to New York gave her the desire to paint the city in watercolor. She likes to superimpose layers of paint, washes, to give relief and depth, mix colors, create blurs, reflect cloudy atmospheres... Vanessa Renoux also paints the landscapes that surround her (Annecy, its lake, the countryside) and the cities she visits. Recently, her work inspired by Japanese Prints has been very successful.

Vanessa Renoux was born in 1973, in Drôme, .

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