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Oil on MDF Board, 31.5x47.2 in
$9,594.09
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Seller Waclaw Wantuch
Shipping from: Poland (Box or cardboard packaging) Ships within 2 days
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork is framed
Mounted on Metal
This artwork appears in 6 collections
It was supposed to be an ordinary pose, but the arrangement of the body was so strange that I couldn't look away. I hadn’t planned to paint it, but once I saw it, there was no turning back. The foundation of this painting was oiled charcoal—a forgotten technique of the old masters. Charcoal is soaked in oil overnight, and just before use, it only needs [...]
It was supposed to be an ordinary pose, but the arrangement of the body was so strange that I couldn't look away.
I hadn’t planned to paint it, but once I saw it, there was no turning back.
The foundation of this painting was oiled charcoal—a forgotten technique of the old masters. Charcoal is soaked in oil overnight, and just before use, it only needs to be wiped off. Once dry, the oil acts like a varnish, sealing the drawing and giving it a unique depth.
I don’t mind the visible incompleteness of this painting—capturing the arrangement of the hands and décolletage was more important than striving for photographic accuracy in rendering light and shadow.
I hadn’t planned to paint it, but once I saw it, there was no turning back.
The foundation of this painting was oiled charcoal—a forgotten technique of the old masters. Charcoal is soaked in oil overnight, and just before use, it only needs to be wiped off. Once dry, the oil acts like a varnish, sealing the drawing and giving it a unique depth.
I don’t mind the visible incompleteness of this painting—capturing the arrangement of the hands and décolletage was more important than striving for photographic accuracy in rendering light and shadow.
Related themes
I grind paints for my artworks using historical recipes from masters like Rembrandt, da Vinci, and Vermeer. I source pigments from rare locations—ranging from geological expeditions to specialty shops. I thicken [...]
I grind paints for my artworks using historical recipes from masters like Rembrandt, da Vinci, and Vermeer. I source pigments from rare locations—ranging from geological expeditions to specialty shops. I thicken linseed oil under the sun according to a 14th-century recipe, which adds depth and durability to my paintings. Despite available technologies, I choose traditional methods to create pieces inspired by the heritage of past masters.
- Nationality: POLAND
- Date of birth : 1965
- Artistic domains: Works by professional artists,
- Groups: Contemporary Polish Artists
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