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Love in the Whisper of Snakes (2025) 雕塑 由 Zhao Yongchang

雕塑 - 树脂, 3.5x3.9 in
US$825
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发货地: 中国 (盒子或纸箱包装) 在1周
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  • 树脂 在其他基材上
  • 可用份数 199
  • 外形尺寸 高度 3.5in, 宽度 3.9in / 1.00 kg
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  • 分类 动物
2025 is the traditional Year of the Snake in China. Throughout the long history of culture, the image of the snake occupies a unique and remarkable position in different cultural systems. Whether it is the complex and profound image in Western culture or the auspicious and lucky connotations in Chinese culture, the snake has become a cultural symbol [...]
2025 is the traditional Year of the Snake in China. Throughout the long history of culture, the image of the snake occupies a unique and remarkable position in different cultural systems. Whether it is the complex and profound image in Western culture or the auspicious and lucky connotations in Chinese culture, the snake has become a cultural symbol with great creative potential. Fascinated by and deeply reflecting on these diverse cultural connotations, I was inspired to create a sculpture related to the snake.
In the context of Western culture, the image of the snake is complex and profound. It is an ancient symbol of wisdom. In ancient Greek myths and legends, the snake is like a guardian of knowledge, privy to many mysteries of the universe and guiding people to the door of wisdom, much like the delicate emotions and ways of getting along in love that require careful exploration and understanding. However, in the Bible story, the snake transforms into a tempter. It skillfully tempts Eve to eat the forbidden fruit, a deed that brands it as evil and also symbolizes the various temptations and potential crises in the journey of love. One wrong step and you may be lost in the maze of emotions.
In the vast realm of Chinese culture, the snake is honored as the "Little Dragon," intricately linked to the dragon, which symbolizes dignity and authority, and implies auspiciousness and good fortune. Its strong reproductive ability makes it a beautiful symbol of family prosperity and numerous descendants. In the context of love, it represents the eager anticipation of love's fruit and the longing for future life. At the same time, the snake is agile and clever, demonstrating the wit to deal with life's challenges, just as lovers need wisdom and adaptability when facing the twists and turns of love.
The rose is a classic symbol of love in both Western and Chinese cultures. Its delicate and charming appearance is just like the ionate emotions between lovers, and its rich fragrance is like the enchanting aura of love, making people intoxicated.
In this work of art, the rose transformed from a snake interweaves the themes of life and love. The snake's unique characteristic of molting and rebirth symbolizes the cycle and endlessness of life. Each molt is a clarion call for a new beginning, just as love is continuously sublimated through the baptism of time, becoming more mellow and enduring. When we understand the profound connotations of love embodied in the snake and the rose, we will realize that as long as there is love in our hearts and we know how to cherish and nurture it, every day can be filled with the sweetness and romance of Valentine's Day.
The winding posture of the snake and the softness of the rose are intertwined inseparably, just like the ionate and deep - seated emotions between lovers, where you are in me and I am in you. Their integration is not only a physical fit but also a deep - seated attraction and a profound connection at the soul level, telling the mysterious and charming power of love. This power can lovers through ordinary days, turning every ordinary day into a day full of love.
I hope this work is the most sincere gift you give to your beloved. Let it convey the most ionate love in your heart and accompany each other through the years.

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赵永昌是一位中国当代艺术家,以其对东方造型语言的创新探索而闻名。赵永昌 1992 年出生于中国,毕业于中国美术学院雕塑与公共艺术学院。在他的职业生涯中,他获得了无数荣誉,包括第八届浙江青年艺术展优秀奖、香港青年设计奖 (YDA)、中国美术学院毕业创作银奖和林风眠创作奖。. 赵无极的作品在全国各地广泛展出,并曾参加第七届上海青年艺术博览会、上海国际艺术博览会、苏州艺术博览会、厦门艺术博览会、深圳艺术博览会等著名当代艺术博览会。他的艺术深受东方美学气质的影响,尤其是古典东方雕塑中的“圆”的概念。这种影响体现在他强调线条和形状,体现了“圆”的智慧,体现了和谐和连续的流动。. [...]

赵永昌是一位中国当代艺术家,以其对东方造型语言的创新探索而闻名。赵永昌 1992 年出生于中国,毕业于中国美术学院雕塑与公共艺术学院。在他的职业生涯中,他获得了无数荣誉,包括第八届浙江青年艺术展优秀奖、香港青年设计奖 (YDA)、中国美术学院毕业创作银奖和林风眠创作奖。

赵无极的作品在全国各地广泛展出,并曾参加第七届上海青年艺术博览会、上海国际艺术博览会、苏州艺术博览会、厦门艺术博览会、深圳艺术博览会等著名当代艺术博览会。他的艺术深受东方美学气质的影响,尤其是古典东方雕塑中的“圆”的概念。这种影响体现在他强调线条和形状,体现了“圆”的智慧,体现了和谐和连续的流动。

赵无极的雕塑作品中,常常刻画出超越年龄的成熟骑士形象,神态忧郁却又深思。这些人物性格沉稳内敛,体现了赵无极对深层权力关系的探索和自我反思。他们身上体现出一种侠义精神,能够表达和做超出赵无极自身能力的事情,是他内心世界的延伸。

赵氏认为艺术具有揭示真理、体现善、启发美的力量,将艺术创作视为直面人间阴暗面的手段,提供真实的情感基础、引导价值观,并通过美学提供心灵的净化,其作品旨在促进心灵的互动与联系,不断为创造更丰富的精神世界做出贡献。


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