Davide con la testa del robot Golia (2025) Digital Arts by Neo Immortals
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Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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1500 px |
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| Use on multi- | Yes |
| Use on any type of media | Yes |
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- Giclée Print / Digital Print
- Dimensions Several sizes available
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- Categories Men portraits
Davide con la testa di Golia 3.0
Tecnica e formato (ipotetici)
Olio e nanopigmenti fotoreattivi su pannello di grafene-carbonio, 125 × 175 cm. Microsfere luminescenti incorporano particelle di biossido di titanio che vibrano alla luce UV, intensificando i riflessi sui metalli.
Descrizione visiva
In un hangar industriale, oscuro e cavernoso, un unico fascio di luce neon fucsia traa lo sfondo in diagonale, evocando il classico “taglio” caravaggesco.
Al centro, Davide – un ragazzo dai tratti realistici, capelli ricci, pelle terrosa – indossa una tuta da manutentore militare e un visore AR nero che vela gli occhi. Con la destra solleva il massiccio cranio meccanico di Golia-bot: placche d’acciaio fessurate, presa rovinata da colpi contundenti; dal moncone fuoriescono “tendini” di fibra ottica arancio che stillano come sangue elettronico.
La luce neon retroillumina la scena: la carnagione di Davide si riscalda di riflessi ambrati, mentre l’acciaio del gigante amplifica bagliori rosso-violacei. L’ombra inghiotte il resto dell’hangar, lasciando intuire travi, cavi appesi e detriti bellici; l’atmosfera è greve, sospesa dopo la battaglia.
Il corpo del giovane forma una silenziosa piramide: spalla-viso-mano sinistra (che regge una fionda futuristica avvolta alla cintura). Il punto focale, però, resta la testa di Golia, inclinata verso lo spettatore: l’occhio ottico ancora ardente sembra fissare chi guarda, amplificando tensione e pathos.
Stile pittorico
Chiaroscuro estremo: le tenebre profonde avvolgono la scena, rotte da una sola lama di neon che scolpisce corpi e volumi.
Realismo crudo: resa minuziosa di pori, sudore e sporco su volto e mani; meticolosa texture di rivetti, ammaccature e cavi sul cranio robotico.
Pennellata ibrida: impasti densi e materici sulle superfici organiche, velature lisce su leghe metalliche.
Composizione triangolare: equilibrio fra movimenti verticali (Davide) e diagonali (luce, cavi penzolanti), per guidare l’occhio al culmine drammatico.
Interpretazione critica
Davide con la testa di Golia 3.0 proietta la vittoria biblica in un futuro distopico, dove “l’altro” non è più un gigante di carne ma un colosso cibernetico che incarna la minaccia di un dominio algoritmico. La neon-luce, fredda e artificiale, sostituisce la candela barocca, interrogando sul ruolo della spiritualità nell’era del silicio: l’eroismo umano può ancora prevalere, ma lo splendore che lo illumina è ormai un bagliore meccanico. Davide resta icona di speranza, ma la sua espressione – in parte celata dagli occhiali – suggerisce l’ombra di un dubbio: abbattuto un Golia, quanti altri ne sorgeranno dai circuiti spenti
Related themes
NeoImmortals was born from a simple question:
“What if the great masters of art had lived in the year 3000?”
This project blends classical painting with futuristic imagination, reinterpreting the works of Caravaggio, Van Gogh, Klimt, Goya, and others through a sci-fi lens.
Each piece is carefully crafted and refined, ready to be printed on fine art paper or canvas.
We believe that art doesn’t belong only to the past — it evolves, transcends time, and belongs to the future.
Are you ready to take it there?
- Nationality: ITALY
- Date of birth : 1991
- Artistic domains:
- Groups: Contemporary Italian Artists
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