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Guernica nel 3000 (2025) Digital Arts by Neo Immortals

Fine art paper, 8x12 in

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1500 px
Dimensions of the file (px) 1000x1500
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  • Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several s available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • AI generated image The artist created this image leveraging Artificial Intelligence technology
  • Categories Abstract
Un vasto murale cubista iper‐realista che mostra figure angolate e mecha fra grattacieli neon, con un cavallo poligonale al centro. Guernica 3000 – Città sotto assedio quantico. Visione d’insieme. Un gigantesco murale (4 × 7 m) dipinto in chiave cubista-fotorealistica. Tutto è costruito in toni antracite-blu con tagli d’arancio neon che fendono l’oscurità [...]
Un vasto murale cubista iper‐realista che mostra figure angolate e mecha fra grattacieli neon, con un cavallo poligonale al centro.

Guernica 3000 – Città sotto assedio quantico

Visione d’insieme
Un gigantesco murale (4 × 7 m) dipinto in chiave cubista-fotorealistica. Tutto è costruito in toni antracite-blu con tagli d’arancio neon che fendono l’oscurità come esplosioni di server in fiamme. Al centro, un cavallo poligonale – corpo fatto di pannelli metallici spezzati – nitrisce con occhi LED ambrati, simbolo dell’innocenza travolta. Intorno, sagome umanoidi frantumate si stringono in gesti di disperazione, mentre un mech-soldato incombe sullo sfondo fra grattacieli teal attraversati da linee dati.

Palette cromatica
Blu petrolio / indaco – notte digitale, freddo metallico

Grigio antracite – scafo dei mecha, ombra urbana

Arancio neon – esplosioni di circuito, urlo visivo

Giallo ambra (occhi cavallo) – scintilla di vita nell’acciaio

Materiali immaginari
Pigmenti nanotubolari su pannelli di composito fibra-basalto; micro-lamine di titanio scolpite per le aree “metallo vivo”; polvere fotoluminescente nelle linee arancio.

Lettura critica
Guernica 3000 trasporta l’orrore bellico dal bombardamento aereo al cyber-conflitto globale: le bombe sono pacchetti di dati letali, i soldati sono droni senz’anima, e le vittime – umane o sintetiche – rimangono frammentate dalla stessa logica di distruzione. Il vocabolario cubista di Picasso, fatto di piani sovrapposti, diventa qui diagramma di circuiti rotti, mostrando che, anche nel 3000, la guerra dissolve identità e città in spigoli luminosi e urla digitali.

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NeoImmortals was born from a simple question:. “What if the great masters of art had lived in the year 3000?”. This project blends classical painting with futuristic imagination, reinterpreting the works of Caravaggio, [...]

NeoImmortals was born from a simple question:
“What if the great masters of art had lived in the year 3000?”

This project blends classical painting with futuristic imagination, reinterpreting the works of Caravaggio, Van Gogh, Klimt, Goya, and others through a sci-fi lens.
Each piece is carefully crafted and refined, ready to be printed on fine art paper or canvas.

We believe that art doesn’t belong only to the past — it evolves, transcends time, and belongs to the future.
Are you ready to take it there?

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