ANNEAU A1 (2018) Sculpture by Philippe Fares
Seller Philippe Fares
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| 1324 px | ||
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1324 px |
| Dimensions of the file (px) | 1324x1324 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Cet Anneau est le premier d’une série de quatre segments de sphère, pratiquement identiques. D’un rayon de trente centimètres, cette pièce est constituée par un maillage en céramique, périodique et régulier.
On retrouve ce type d’assemblage, dans les structures de plusieurs créations du plasticien.
La maille, qui pourrait être considérée comme du tissage à froid de céramique, a l’avantage d’être esthétique, simple et homogène. Elle est très résistante et peut er des contraintes de pression importantes.
En outre, elle permet de réaliser un objet au design unique particulièrement singulier.
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Philippe Fares is a contemporary French artist, whose journey has been profoundly shaped by diverse cultures and the interplay of art and science. His unique perspective, honed by a childhood spent in sub-Saharan Africa, is a testament to his early exposure to the world of art, particularly the influence of Primitive Arts. Returning to at the age of 16, Philippe embarked on a path that allowed him to cultivate his understanding of Western Arts while pursuing scientific studies.
Philippe Fares' artistic works are meticulously constructed using scientific methods and meticulous planning. His creations often feature a recurring tiling pattern, a meticulously balanced interplay with chance. This synthesis of meticulous design and the unpredictability of chance lends his works a dynamic and intriguing quality.
One of the defining features of Philippe's sculptures is his incorporation of light, whether through LED or Halogen sources. This infusion of light imbues each piece with a unique chromatic field, magnifying the contrast of the leading lines within the sculpture. Philippe understands that, in his art, what truly matters is the relationship between colors, dimensions, and positions. He views the proportion between the horizontal, the vertical, and the depth as a reflection of the three dimensions that envelop us, as well as the opposing forces that often govern life and space—the interplay between existence and non-existence, abundance and scarcity.
- Nationality:
- Date of birth : 1958
- Artistic domains: Works by professional artists,
- Groups: Contemporary French Artists
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